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atch Anjali Jay’s luminous brown eyes brighten the screen in her film debut, Blind Dating, and it’s hard to imagine her reflecting anything but sheer femininity. Ask her about the first day of shooting, though, and she’ll tell you she spent a bulk of it knocking over the set.

“I walked into cameras, make-up ladies, and bumped into every bit of scenery you could find,” she says, chuckling warmly. On screen, she’s Leeza, the endearingly ladylike Indian American nurse, responsible for snagging the heart of a handsome but blind patient, Danny (Chris Pine). But when cameras aren’t rolling, she trades Leeza’s demure smile for an unfaltering British accent, laced with her hearty signature laugh.

“I’d read the script, and knew it needed a director to give it a good, happy shape,” she says about Blind Dating, scheduled to hit theaters this Friday, May 11. As Leeza and Danny discover their feelings for one another, they navigate a dizzying array of hurdles—physiological, cultural and emotional—to keep their relationship afloat. “It’s a well-written story with warm humor; it’s got this inclusive warmth, not exclusive wit,” Jay explains. As for her take on interracial relationships, one of the main themes the film explores, she’s pretty clear: “In this day and age, they work as much as any other relationship works or doesn’t work. In the end, it’s all about a sense of humor and always having something to talk about.”

For the London-based actress whose prior stints have been mainly on stage—she recently played Jamila in the Royal Shakespeare Company’s rendition of Midnight’s Children—Blind Dating marks her first official foray into cinema. “When you’re onstage, you build up a theatrical stamina, you have to teach yourself not to anticipate things because you’ve done it 50 times before. With film, you’ve got to make sure that you don’t anticipate again, but with the cameras this time,” she explains. “The main difference between film and theater is the focus of energy.”

Chris Pine kisses Anjali Jay in Blind Dating.

Whatever the focus, there’s no doubt that Jay oozes energy, evident from her current whirlwind schedule that shuttles her between London and the “gracious, beautiful city” of Budapest. It’s where her latest project, Robin Hood, a 13-part series for BBC One, is being filmed. Jay plays Djaq (pronounced Jack), a science-savvy outlaw and a new addition to Robin Hood’s crew of Merry Men. “It’s a very physical show, there’s lots of running around,” she adds enthusiastically. It’s apparent that Djaq’s a far cry from Leeza, but Jay unabashedly embraces the challenge. “Leeza was so unapologetically female, and I adored the femininity of her character. But Djaq’s a kick-ass chick.”

In real life, Jay seems more like a spunky fusion of the two. She was raised in Bangalore, India, in what she calls a “bohemian” atmosphere. “I kind of grew up with artists,” she says. “I guess, if anything, you could call it our family business.” In addition to her grandparents, both classical dance teachers, she was constantly surrounded by singers and actors, who fueled and nurtured her passion for the theater. It has been 10 years since Jay found herself at London’s Laban Centre for Movement and Dance. “If I was to question that journey, it would make no sense,” she admits. “But my family has always understood that I wanted to work in the performance field and they’ve been very supportive.”

Her unorthodox background leads us to question whether it was particularly challenging to play Leeza, whose parents own an Indian restaurant and waste no time in engineering an arranged marriage to the covertly sleazy, Kama Sutra-obsessed Arvind, played by Heroes hottie Sendhil Ramamurthy. “I grew up with friends whose families were more like the one Leeza had,” she shares. “Ultimately, I don’t think there is one type of Indian family—to say that would be like making a blanket statement about a Subcontinent.” As for working alongside NBC’s heartthrob du jour, she immediately describes Ramamurthy as “a lovely, lovely, lovely man. I don’t have one bad word to say about him,” she gushes.

We can’t help but wonder whether she will soon achieve the status that South Asian stars like Ramamurthy enjoy. She’s already been compared to another stunning English export who has made waves stateside—Parminder Nagra. But Jay doesn’t seem to mind. “I think Parminder’s great,” she says, delighted. So what’s next on the agenda, and does she want to focus on the American film scene after Blind Dating? “We’ve all grown up watching American movies,” she says. “But in the end, whatever happens, happens. It’s hard not to get excited,” she confesses. “In fact, I dare you not to get excited at the thought of working on a film. I’ve discovered that there are so many talented people, not just performers, but behind the camera and behind the scenes. And they all come together to create this beautiful lie.”